Delicious FruitLatest Reviews
K12XD
For: I Wanna be the Kid Escape
For: I Wanna be the Kid Escape
beautiful maze that you can solve with your friends
Tagged as: Different_Engine
[0] Likes
Rating: 9.0 90
Difficulty: 3 3
Feb 27, 2026
K12XD
For: I wanna be the RUKIMIN!7(SEVEN!)
For: I wanna be the RUKIMIN!7(SEVEN!)
beautiful game where some wacky things happen! but i won't spoil what exactly, because i'm feeling kind today
[0] Likes
Rating: 8.0 80
Difficulty: 50 50
Feb 27, 2026
K12XD
For: I wanna be the Boshy
For: I wanna be the Boshy
my first fangame clear, as in i beat guy first and then this, cuz guy is not a fangame, its the original. you get it right? yeah you get it. okay, so this is the thing that introduced me to the vast world of fangames, at the time i loved it just as much as i love my current favorite games, cn3 and morning dew, all 3 of those games cost me 1 swimming pool trip each, cause instead of swimming i was just sitting there in the water and thinking about them, nowadays i don't think about boshy as strongly as i used to, but i still consider it a masterpiece. beating this game was such an incredible experience it basically sealed my fate as a fangame player for life.
[0] Likes
Rating: 10.0 100
Difficulty: 71 71
Feb 27, 2026
Riechert
For: Happy Birthday to Cream
For: Happy Birthday to Cream
fantastic game, this guy knows how to make good birthday games
[0] Likes
Rating: 9.0 90
Difficulty: 65 65
Feb 27, 2026
DomGamer
For: I wanna be the Red coin mania IIDX 2 Praxia
For: I wanna be the Red coin mania IIDX 2 Praxia
My least favorite fangame as of now, 99% of the saves in this game use the cheapest and most boring traps to create difficulty and the saves are just so long for no reason. By far the worst part of this game was the Flygon stage, where you couldn't even your hitbox properly so you just had to guess where to jump and the very hard mode felt so punishing to constantly die to the end to. The only reason i'm not giving this a 0.0 rating is that i liked some of the visuals in this game and it had very good production quality
[0] Likes
Rating: 0.5 5
Difficulty: 47 47
Feb 27, 2026
K12XD
For: I wanna kill the Maker
For: I wanna kill the Maker
rating based on hard mode
Tagged as: Long
[0] Likes
Rating: 6.0 60
Difficulty: 63 63
Feb 27, 2026
StickerSkin
For: I Wanna Heal The No Sense Of Direction
[0] Likes
For: I Wanna Heal The No Sense Of Direction
[0] Likes
Rating: 8.6 86
Difficulty: 83 83
Feb 27, 2026
fha183
For: SONAFLEKI
For: SONAFLEKI
You might ask why I didn’t give it a higher score. That’s because I rated it by indie game standards, even though it was also released on Delicious Fruit.
This is absolutely the worst-feeling platformer I’ve ever played—honestly, it even outdoes Morning Dew’s rocket in that regard. To be frank, if it weren’t for the outstanding art and soundtrack, I probably wouldn’t have even bothered to look at it. But as I progressed, that very “bad” control feel gradually fused with the game’s rich and varied level design, to the point where I forgot how rough it initially felt. Now I can say that this seemingly terrible control scheme is actually the very essence of the game.
Right from the start, the game grabbed my attention with a stream-of-consciousness opening animation. Unfortunately, my English isn’t good enough to fully grasp the meaning behind the fragmented narration. When the animation ends, the protagonist is thrown into a massive open-world map. No one tells you what to do. There’s no guidance, not even a map. Everything relies on your own exploration. You can wander aimlessly, admire the scenery along the way, or simply calm down and listen to the sounds of the world. This is where the game’s second stroke of genius lies: what seems like aimless wandering is actually familiarizing yourself with the map; what feels like pointless exploration is in fact the best way to get used to the controls. I truly have to admire this design—beneath the beautifully wrapped “chocolate coating” of the game lies a deeper core that’s even more worthy of discussion.
It took me about an hour just to get familiar with the map before I truly entered the first real level. That hour of exploration was, I must admit, quite torturous at first. I felt just like the protagonist—a newcomer, a clueless rookie, or perhaps a wanderer far from home. But as I gradually became more and more familiar with the terrain, I realized that this hour mattered far more than I had imagined. And rather than calling it suffering, it was more accurate to call it enjoyment—the game’s art and soundtrack had already told me everything.
I really have to say that the art and music are among the best I’ve ever seen in any IW fangame. The last time I felt something like this was with Morning Dew. The white noise and environmental details constantly remind the player that this is a living, breathing world. When you stop controlling the protagonist, they doze off in place. When you pass through a meadow, the grass bends under the character’s weight. Even random NPCs have their own unique animation sets. I can hear cicadas in the forest, the wind echoing through the valley, and even the noise of the junkyard feels strikingly real the moment I put on my headphones. At that point, my body and mind felt completely merged with the game world. That sense of immersion is something I will never forget.
There is much more about this game that players should discover for themselves. To preserve everyone’s experience, I won’t elaborate further. This is a game worth playing for everyone—and an unforgettable experience in my gaming life.
This is absolutely the worst-feeling platformer I’ve ever played—honestly, it even outdoes Morning Dew’s rocket in that regard. To be frank, if it weren’t for the outstanding art and soundtrack, I probably wouldn’t have even bothered to look at it. But as I progressed, that very “bad” control feel gradually fused with the game’s rich and varied level design, to the point where I forgot how rough it initially felt. Now I can say that this seemingly terrible control scheme is actually the very essence of the game.
Right from the start, the game grabbed my attention with a stream-of-consciousness opening animation. Unfortunately, my English isn’t good enough to fully grasp the meaning behind the fragmented narration. When the animation ends, the protagonist is thrown into a massive open-world map. No one tells you what to do. There’s no guidance, not even a map. Everything relies on your own exploration. You can wander aimlessly, admire the scenery along the way, or simply calm down and listen to the sounds of the world. This is where the game’s second stroke of genius lies: what seems like aimless wandering is actually familiarizing yourself with the map; what feels like pointless exploration is in fact the best way to get used to the controls. I truly have to admire this design—beneath the beautifully wrapped “chocolate coating” of the game lies a deeper core that’s even more worthy of discussion.
It took me about an hour just to get familiar with the map before I truly entered the first real level. That hour of exploration was, I must admit, quite torturous at first. I felt just like the protagonist—a newcomer, a clueless rookie, or perhaps a wanderer far from home. But as I gradually became more and more familiar with the terrain, I realized that this hour mattered far more than I had imagined. And rather than calling it suffering, it was more accurate to call it enjoyment—the game’s art and soundtrack had already told me everything.
I really have to say that the art and music are among the best I’ve ever seen in any IW fangame. The last time I felt something like this was with Morning Dew. The white noise and environmental details constantly remind the player that this is a living, breathing world. When you stop controlling the protagonist, they doze off in place. When you pass through a meadow, the grass bends under the character’s weight. Even random NPCs have their own unique animation sets. I can hear cicadas in the forest, the wind echoing through the valley, and even the noise of the junkyard feels strikingly real the moment I put on my headphones. At that point, my body and mind felt completely merged with the game world. That sense of immersion is something I will never forget.
There is much more about this game that players should discover for themselves. To preserve everyone’s experience, I won’t elaborate further. This is a game worth playing for everyone—and an unforgettable experience in my gaming life.
Tagged as: Special
[1] Like
Rating: 8.0 80
Difficulty: 75 75
Feb 27, 2026
Jopagu
For: You give me butterflies, and I take them away
For: You give me butterflies, and I take them away
I really like the almost mini-gamey, avoidancey kinda gameplay that's used in this game. All the sections were really fun, exploring pretty unique concepts. I felt like the grazing avoidance was noticeably easier than the other parts, but perhaps that's a good thing, since it might have the most potential to get annoying. My favorite was the first part, air ice can be awkward, but the small area of movement makes it reasonable to deal with. And moving around to the safe blocks as they come up was just really enjoyable.
The artistry of the game goes without mentioning. It's certainly a very soulful game. I love when people put their heart into games for our little community.
Definitely recommend for fans of gimmicky stuff.
The artistry of the game goes without mentioning. It's certainly a very soulful game. I love when people put their heart into games for our little community.
Definitely recommend for fans of gimmicky stuff.
Tagged as: Gimmick
[0] Likes
Rating: 8.5 85
Difficulty: 57 57
Feb 27, 2026