Delicious FruitLatest Reviews
Chance
For: I wanna be the YKP
For: I wanna be the YKP
One screen needle + a Flandre boss
[0] Likes
Rating: 5.5 55
Difficulty: 45 45
Mar 2, 2017
ActualKale [Creator]
For: I wanna Thank You Thenewgeezer
For: I wanna Thank You Thenewgeezer
I made this game so not gonna rate it. Forgot the password for my "Kale" account so can't review it as the maker either. Lately I've felt like talking a bit about the thought process behind some of my games so maybe this will be a series of reviews for a number of my games.
I made this game in collaboration with Zero-G. He tested the game, made some graphics things, helped with music picks and did some quality of life coding. I came up with and designed the rooms.
My inspiration for making a game always arises out of a single idea. That idea is usually not identical to what the final game turns to be, for example every room in CN1 was gonna be the same difficulty, but it's usually enough for me to get motivated and know where to start with something.
In "Thank the Geezer" the idea was to have short saves and to use and build on the gimmicks that I came up with for "Haystack 2" but this time in a much more accessible game. I also wanted to only use the in-engine assets to challenge myself in seeing what I could come up with. These mainly include platforms, water, spinning and bouncing apples, blocks of various sorts and gravity flippers.
The perhaps hardest restraint I put on myself was to never repeat the same concept for two screens. Some of the ideas in this game, such as the sideways platforms, the moving gravity flippers, spinning water, disappearing block puzzle, moving platform jumps and the extended moving sideways platform are interesting and deep enough to build full games around. If the concept of various spike and block configurations with nothing else is good enough to build thousands of games around it, then surely some of these gimmicks could stand being repeated more than once.
Additionally I wanted each screen to look drastically different from all the other ones. The graphics switch up every screen and the room layouts are pretty unusual and distinct as well. Hopefully this added some to the excitement of seeing what each new screen has to offer.
Similar to the production of Haystack 2, the hardest part of making this game was to come up with new implementations of the same old objects we've all seen ad nauseum. The screens themselves are very simplistic in design, I didn't want to make any rooms feel long or complex and I deliberately avoided combining gimmicks (which is another thing that has a lot of potential for future games). The game took around 2 weeks to make which on average means a little over 1 screen/day. I am happy with the result.
Max beat this game in almost no deaths, p sick.
[14] Likes
I made this game in collaboration with Zero-G. He tested the game, made some graphics things, helped with music picks and did some quality of life coding. I came up with and designed the rooms.
My inspiration for making a game always arises out of a single idea. That idea is usually not identical to what the final game turns to be, for example every room in CN1 was gonna be the same difficulty, but it's usually enough for me to get motivated and know where to start with something.
In "Thank the Geezer" the idea was to have short saves and to use and build on the gimmicks that I came up with for "Haystack 2" but this time in a much more accessible game. I also wanted to only use the in-engine assets to challenge myself in seeing what I could come up with. These mainly include platforms, water, spinning and bouncing apples, blocks of various sorts and gravity flippers.
The perhaps hardest restraint I put on myself was to never repeat the same concept for two screens. Some of the ideas in this game, such as the sideways platforms, the moving gravity flippers, spinning water, disappearing block puzzle, moving platform jumps and the extended moving sideways platform are interesting and deep enough to build full games around. If the concept of various spike and block configurations with nothing else is good enough to build thousands of games around it, then surely some of these gimmicks could stand being repeated more than once.
Additionally I wanted each screen to look drastically different from all the other ones. The graphics switch up every screen and the room layouts are pretty unusual and distinct as well. Hopefully this added some to the excitement of seeing what each new screen has to offer.
Similar to the production of Haystack 2, the hardest part of making this game was to come up with new implementations of the same old objects we've all seen ad nauseum. The screens themselves are very simplistic in design, I didn't want to make any rooms feel long or complex and I deliberately avoided combining gimmicks (which is another thing that has a lot of potential for future games). The game took around 2 weeks to make which on average means a little over 1 screen/day. I am happy with the result.
Max beat this game in almost no deaths, p sick.
Rating: N/A
Difficulty: 58 58
Mar 2, 2017
ActualKale [Creator]
For: I wanna find a Needle in a Haystack 2
For: I wanna find a Needle in a Haystack 2
I made this game so not gonna rate it. Forgot the password for my "Kale" account so can't review it as the maker either. Lately I've felt like talking a bit about the thought process behind some of my games so maybe this will be a series of reviews for a number of my games.
I'm starting with Haystack 2 which is one of my absolute favorite games among the ones I've made. The game has been sparsely played since release and has been the target of lots of meaningless and empty criticism along with some that was probably more warranted or better supported. This naturally puts me in a position where I wanna defend my game, especially since so much of the criticism comes from people who haven't played it.
The Haystack "series" are buffed versions of Crimson Needle which is the first game I've made. Crimson Needle is already a tough and really long game (100 floors) so it's no wonder people are gonna find the thought of a harder version to be a turn-off. Haystack 2 was preceded by Haystack 1 which was a somewhat lazy rework of the first 24 floors of Crimson Needle. The level design in Haystack 1 consists mostly of fairly unique and clever jumps and I don't find it uncomfortable to play for the most part, but the game still feels like Crimson Needle with more spikes tacked on. It's just not particularly exciting despite having decent design (a problem most needle games suffer from nowadays now that we have "seen it all") and the difficulty balance between rooms is not doing the game nay favors.
There is also a hard version of Haystack 1 which is made as a joke but ended up taking much more effort than it deserved. The hard version also has what I'd consider interesting design but I'll be the first to admit that I prioritized difficulty ahead of other considerations such as "comfort", "smoothness" and "difficulty balance" for a lot of the game.
Seeing how "Haystack 1" and "Haystack 1 hard version" are what they are it might not be so surprising that the series garnered a pretty bad reputation prior to the release of Haystack 2. I will now go into why I think a lot of the criticism directed at the first two Haystack games doesn't really apply to Haystack 2 while simultaneously talk about what I actually set out to do which is to describe the process of making the game.
First off, if you criticized Haystack 1 for its difficulty then it would be entirely consistent to criticize Haystack 2 for the same thing, seeing how it is probably even slightly harder than its predecessor on the whole. This is fucking lame criticism though and it's tiresome to still see this nonsense argument thrown around. If there is such a thing as "quality" that a game can possess then that is surely completely detached from how hard the game is. I was fully aware of how hard these games were when I made them, it's not some gamemaking error and it was not ignorant of me to assume that hard games can be enjoyable. It's niche but what is bad about that? My loss if anything, since less people will play it. Besides the Crimson Needle games, almost none of the stuff I've made is extraordinarily hard, and I've made a lot of fucking games. The Haystack series is an anomaly in my catalogue and the biggest reason I was interested in making games like this in the first place was to do something different and challenge myself in making something that is challenging but in a pleasant way.
Secondly, this game is not half-assed in any sense of the word which is something you might to some extent accuse Haystack 1 of. This was a 2-3 month project, making a 25 floor game where the screens are this dense and varied takes a long time to begin with. This however took an exceptionally long time because I set as a goal to make each screen distinct. I always started with an original screen from CN that I was gonna buff and then I tried to come up with a "quirk" that would drastically change how it's played while still maintaining it as recognizable enough for someone familiar with the old version. The alterations I made would often include changing the room layouts/path and that combined with wanting to use up most of the available space means that the buffs ended up taking much longer to make than it takes to make a new screen from scratch. The gimmicks and their applications would also prove quite hard to come up with at times.
To be honest I think I succeeded very well. The variety in this game is a feat. Of course unique or creative design doesn't in itself amount to enjoyable gameplay but when the wiki is flooded with nearly identical needle games every day it has to count for something when something fresh arrives. It's also interesting to note how much quicker people will be to shit on something like this than on your everyday snooze-needle. Bland games are simply inoffensive, no one really likes them but no one really cares either. I think it would be the nicest if no one trashed anything that has effort behind it but it has become clear to me that this is not a sentiment shared by the majority in our community.
This game's merit is not solely that it has some creative ideas, if that was the case I wouldn't hold it so high. I'm even more happy with how I managed to weave the gimmicks into my usual style of design (usual since circa CN2, a lot of my design is very different from game to game) to make segments that just flow well and almost never feel awkward to play (for me at least). There is also, like mentioned, a lot of variety. There is variety in the room layouts, how big changes I made from the original and in the gameplay the gimmicks bring. If you're going in blind the game will surprise you and I think there is some excitement to just seeing what each new room will bring which is hardly something many needle games can brag with.
The style of design is just not comparable to Haystack 1 in many respects other than the general difficulty. For one thing there are very few buffs in this game that are simply added spikes to increase preciseness. This game only leans more towards long saves with medium-difficulty jumps as opposed to short saves that feel more like a luck-grind. I might also add that this game was more carefully tested so there's not as many bad align saves and the difficulty curve is more even.
Naturally this ended up pretty long. I hope the undertone in this "review" managed to convey how immensely frustrating it is to invest a lot of time and effort into something just to have people dismiss it as "bad" or "cancer" on the basis of their preconceived notions about what the series is like or from watching it on stream or whatever. Maybe it also gave a little insight into how I think about making games.
[24] Likes
I'm starting with Haystack 2 which is one of my absolute favorite games among the ones I've made. The game has been sparsely played since release and has been the target of lots of meaningless and empty criticism along with some that was probably more warranted or better supported. This naturally puts me in a position where I wanna defend my game, especially since so much of the criticism comes from people who haven't played it.
The Haystack "series" are buffed versions of Crimson Needle which is the first game I've made. Crimson Needle is already a tough and really long game (100 floors) so it's no wonder people are gonna find the thought of a harder version to be a turn-off. Haystack 2 was preceded by Haystack 1 which was a somewhat lazy rework of the first 24 floors of Crimson Needle. The level design in Haystack 1 consists mostly of fairly unique and clever jumps and I don't find it uncomfortable to play for the most part, but the game still feels like Crimson Needle with more spikes tacked on. It's just not particularly exciting despite having decent design (a problem most needle games suffer from nowadays now that we have "seen it all") and the difficulty balance between rooms is not doing the game nay favors.
There is also a hard version of Haystack 1 which is made as a joke but ended up taking much more effort than it deserved. The hard version also has what I'd consider interesting design but I'll be the first to admit that I prioritized difficulty ahead of other considerations such as "comfort", "smoothness" and "difficulty balance" for a lot of the game.
Seeing how "Haystack 1" and "Haystack 1 hard version" are what they are it might not be so surprising that the series garnered a pretty bad reputation prior to the release of Haystack 2. I will now go into why I think a lot of the criticism directed at the first two Haystack games doesn't really apply to Haystack 2 while simultaneously talk about what I actually set out to do which is to describe the process of making the game.
First off, if you criticized Haystack 1 for its difficulty then it would be entirely consistent to criticize Haystack 2 for the same thing, seeing how it is probably even slightly harder than its predecessor on the whole. This is fucking lame criticism though and it's tiresome to still see this nonsense argument thrown around. If there is such a thing as "quality" that a game can possess then that is surely completely detached from how hard the game is. I was fully aware of how hard these games were when I made them, it's not some gamemaking error and it was not ignorant of me to assume that hard games can be enjoyable. It's niche but what is bad about that? My loss if anything, since less people will play it. Besides the Crimson Needle games, almost none of the stuff I've made is extraordinarily hard, and I've made a lot of fucking games. The Haystack series is an anomaly in my catalogue and the biggest reason I was interested in making games like this in the first place was to do something different and challenge myself in making something that is challenging but in a pleasant way.
Secondly, this game is not half-assed in any sense of the word which is something you might to some extent accuse Haystack 1 of. This was a 2-3 month project, making a 25 floor game where the screens are this dense and varied takes a long time to begin with. This however took an exceptionally long time because I set as a goal to make each screen distinct. I always started with an original screen from CN that I was gonna buff and then I tried to come up with a "quirk" that would drastically change how it's played while still maintaining it as recognizable enough for someone familiar with the old version. The alterations I made would often include changing the room layouts/path and that combined with wanting to use up most of the available space means that the buffs ended up taking much longer to make than it takes to make a new screen from scratch. The gimmicks and their applications would also prove quite hard to come up with at times.
To be honest I think I succeeded very well. The variety in this game is a feat. Of course unique or creative design doesn't in itself amount to enjoyable gameplay but when the wiki is flooded with nearly identical needle games every day it has to count for something when something fresh arrives. It's also interesting to note how much quicker people will be to shit on something like this than on your everyday snooze-needle. Bland games are simply inoffensive, no one really likes them but no one really cares either. I think it would be the nicest if no one trashed anything that has effort behind it but it has become clear to me that this is not a sentiment shared by the majority in our community.
This game's merit is not solely that it has some creative ideas, if that was the case I wouldn't hold it so high. I'm even more happy with how I managed to weave the gimmicks into my usual style of design (usual since circa CN2, a lot of my design is very different from game to game) to make segments that just flow well and almost never feel awkward to play (for me at least). There is also, like mentioned, a lot of variety. There is variety in the room layouts, how big changes I made from the original and in the gameplay the gimmicks bring. If you're going in blind the game will surprise you and I think there is some excitement to just seeing what each new room will bring which is hardly something many needle games can brag with.
The style of design is just not comparable to Haystack 1 in many respects other than the general difficulty. For one thing there are very few buffs in this game that are simply added spikes to increase preciseness. This game only leans more towards long saves with medium-difficulty jumps as opposed to short saves that feel more like a luck-grind. I might also add that this game was more carefully tested so there's not as many bad align saves and the difficulty curve is more even.
Naturally this ended up pretty long. I hope the undertone in this "review" managed to convey how immensely frustrating it is to invest a lot of time and effort into something just to have people dismiss it as "bad" or "cancer" on the basis of their preconceived notions about what the series is like or from watching it on stream or whatever. Maybe it also gave a little insight into how I think about making games.
Rating: N/A
Difficulty: 90 90
Mar 1, 2017
BreedPineapple
For: I wanna love Utopia
For: I wanna love Utopia
Tagged as: Avoidance
[0] Likes
Rating: 8.0 80
Difficulty: 35 35
Mar 1, 2017
BreedPineapple
For: I wanna be the Canned mikyan
[0] Likes
For: I wanna be the Canned mikyan
[0] Likes
Rating: 8.0 80
Difficulty: 47 47
Mar 1, 2017
Paragus
For: I wanna be the Clarence
For: I wanna be the Clarence
This is a 100 Floor Needle game that changes up the visuals and music every 3 floors. While the music is great pretty much through the entire game, the visuals can at times be outright terrible. By the second half of the game the visuals tend to hold up better and the game overall seems to get better. As the maker's first game, it's an ambitious project to make a game like this, and you can see his growth as the game progresses and the platforming gets better for the most part.
The other major issue with this game is the save balancing. The game will flow at a good pace, then you will just hit a wall at certain saves that are way out of whack. Given the size of the game I know it can be hard to balance, but a few of these were just terrible. Hopefully if he makes another game, he will clean up his visuals a lot more and get a better handle on some of the balancing. Overall though if you like needle this is a game you can sink a lot of time into grinding through it.
The other major issue with this game is the save balancing. The game will flow at a good pace, then you will just hit a wall at certain saves that are way out of whack. Given the size of the game I know it can be hard to balance, but a few of these were just terrible. Hopefully if he makes another game, he will clean up his visuals a lot more and get a better handle on some of the balancing. Overall though if you like needle this is a game you can sink a lot of time into grinding through it.
Tagged as: Needle
[1] Like
Rating: 7.5 75
Difficulty: 70 70
Mar 1, 2017