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moleYo
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176 Games
176 Reviews
Wolfiexe
For: I wanna be a Charr
For: I wanna be a Charr
Rating based on All Red Coins.
Charr is a very old collectathon fangame dating back to 2011, featuring 17 stages each corresponding to a different letter of the alphabet. There are also a few bosses scattered in-between the stage hubs however whilst they definitely aren't trivial, they're not really what you'll be playing the game for and not at all where the strengths lie.
The game consists of a few hubs, each of which is unlocked when all yellow coins in the previous hub stages have been collected. Every stage brings something a bit different. To list a few, J (Jump) has you auto-jumping (or bouncing) everywhere you move. L (Lucky) is exactly as the name suggests, having you travel through a short segment to increase your odds of hitting the jackpot on a slot machine at the end. M (Material) aside some spooky cherry platforming features a reverse-spotlight maze spanning multiple screens with Mr. X-equivalent cherries lurking within. I could go on and there are certainly a few stages that didn't stand out too much, but the amount of variety and uniqueness on show is pretty impressive, despite the very lacklustre production value.
Every stage features a red coin, which is essentially the secret of the stage. Out of the 17 red coins, a couple of them took me longer than all the rest combined (Jump and Orthodox) which means if you're going for what is essentially All Clear (minus some questionable achievements) then you'll be in for quite a grind in parts. Still, it's worth experimenting and giving them a try as just like the main stages, the red coins stay very varied in design.
A big minus on the game is the production value, although given the age of this game it's not really expected for it to be any visual or audio marvel. Guy Rock features prominently throughout with the odd song change here and there, and everyone's favourite classic tilesets will follow you throughout the bulk of the stages.
Charr also features a little achievement room hidden to the left of the hub-portal. There aren't too many achievements although a couple secrets in the game allow you to unlock some additional costumes for The Kid which is a nice touch. Some of the achievements I'm aware of sound a bit too much (I'm unsure if anyone has ever gotten the Orthodox achievement to do like 30+ loops of a certain segment without dying), so I'm not really factoring that into the rating here.
I was slightly unsure on how to rate the difficulty of this, given there's no real GG screen or ending, although I can agree the most likely conclusion would be after beating all 17 stages with just the yellow coins. With that alone, I'd estimate it to maybe a 75~, although going for the red coins proves a very tricky challenge which ramped it up moreso for my final rating, just to give some context for my score.
Overall though, Charr is quite an interesting game. If you can look past the often shoddy production value and shaky segments, you'll find something unique in here. I find it very impressive in regards to the ideas and creative design in a game that stands as 8 years old now. I can't ever see it being finished, but I think it could stand as a great concept for a game for others to follow-up on.
[1] Like
Charr is a very old collectathon fangame dating back to 2011, featuring 17 stages each corresponding to a different letter of the alphabet. There are also a few bosses scattered in-between the stage hubs however whilst they definitely aren't trivial, they're not really what you'll be playing the game for and not at all where the strengths lie.
The game consists of a few hubs, each of which is unlocked when all yellow coins in the previous hub stages have been collected. Every stage brings something a bit different. To list a few, J (Jump) has you auto-jumping (or bouncing) everywhere you move. L (Lucky) is exactly as the name suggests, having you travel through a short segment to increase your odds of hitting the jackpot on a slot machine at the end. M (Material) aside some spooky cherry platforming features a reverse-spotlight maze spanning multiple screens with Mr. X-equivalent cherries lurking within. I could go on and there are certainly a few stages that didn't stand out too much, but the amount of variety and uniqueness on show is pretty impressive, despite the very lacklustre production value.
Every stage features a red coin, which is essentially the secret of the stage. Out of the 17 red coins, a couple of them took me longer than all the rest combined (Jump and Orthodox) which means if you're going for what is essentially All Clear (minus some questionable achievements) then you'll be in for quite a grind in parts. Still, it's worth experimenting and giving them a try as just like the main stages, the red coins stay very varied in design.
A big minus on the game is the production value, although given the age of this game it's not really expected for it to be any visual or audio marvel. Guy Rock features prominently throughout with the odd song change here and there, and everyone's favourite classic tilesets will follow you throughout the bulk of the stages.
Charr also features a little achievement room hidden to the left of the hub-portal. There aren't too many achievements although a couple secrets in the game allow you to unlock some additional costumes for The Kid which is a nice touch. Some of the achievements I'm aware of sound a bit too much (I'm unsure if anyone has ever gotten the Orthodox achievement to do like 30+ loops of a certain segment without dying), so I'm not really factoring that into the rating here.
I was slightly unsure on how to rate the difficulty of this, given there's no real GG screen or ending, although I can agree the most likely conclusion would be after beating all 17 stages with just the yellow coins. With that alone, I'd estimate it to maybe a 75~, although going for the red coins proves a very tricky challenge which ramped it up moreso for my final rating, just to give some context for my score.
Overall though, Charr is quite an interesting game. If you can look past the often shoddy production value and shaky segments, you'll find something unique in here. I find it very impressive in regards to the ideas and creative design in a game that stands as 8 years old now. I can't ever see it being finished, but I think it could stand as a great concept for a game for others to follow-up on.
Rating: 7.4 74
Difficulty: 90 90
May 8, 2019
Wolfiexe
For: I wanna be the MMM
For: I wanna be the MMM
As one of Rukito's most difficult games, MMM brings the classic platforming that the maker is known for, interweaving creative and quirky needle design with a sprinkle of questionable gimmick usage and soulcrushing traps.
The game consists of a variety of stages and a couple of bosses. The stages are usually centred around a particular simple gimmick such as water or platforms, although later in the game it becomes less focused and moreso just a combination of everything. I found the vine design to be particularly fun as well as the platform stage, that is when my progress wasn't all undone because of a gotcha moment lurking at the end of the save.
It's natural with Rukito's style but some of the traps really felt overdone and started sapping my enjoyment of the game a little. Perhaps the difficulty combination mixed with the knowledge that you're going to get bungled at the very end and have to redo it all was just demotivating. Still, if you're playing one of his games then you'll know what you're in for, so it's not exactly surprising. The platforming was still for the most part pretty enjoyable, minus the last save of the water area which was by far the worst designed save in not just the game but any of his games that I've played.
The couple of bosses were pretty fun, although I can't say the first boss left a lasting impression. The second (and final) boss was quite memorable, perhaps for a mixture of reasons. It's a very simple boss in concept with an emphasis on multitasking and memorisation. By the time I beat it I found it quite rewarding and fun to play, although double KO'ing it earlier had put a dampener on my patience. Still, it felt for the most part a very fair and fast-paced boss which made for an intense finish to the game.
Overall a fun game, but for me the traps in combination with the hefty difficulty and sometimes questionable design choices started to really eat away at my enjoyment of the game. A good game nonetheless, and if you don't mind some design hiccups and a bit of a grind then you'll probably have some fun with this.
[1] Like
The game consists of a variety of stages and a couple of bosses. The stages are usually centred around a particular simple gimmick such as water or platforms, although later in the game it becomes less focused and moreso just a combination of everything. I found the vine design to be particularly fun as well as the platform stage, that is when my progress wasn't all undone because of a gotcha moment lurking at the end of the save.
It's natural with Rukito's style but some of the traps really felt overdone and started sapping my enjoyment of the game a little. Perhaps the difficulty combination mixed with the knowledge that you're going to get bungled at the very end and have to redo it all was just demotivating. Still, if you're playing one of his games then you'll know what you're in for, so it's not exactly surprising. The platforming was still for the most part pretty enjoyable, minus the last save of the water area which was by far the worst designed save in not just the game but any of his games that I've played.
The couple of bosses were pretty fun, although I can't say the first boss left a lasting impression. The second (and final) boss was quite memorable, perhaps for a mixture of reasons. It's a very simple boss in concept with an emphasis on multitasking and memorisation. By the time I beat it I found it quite rewarding and fun to play, although double KO'ing it earlier had put a dampener on my patience. Still, it felt for the most part a very fair and fast-paced boss which made for an intense finish to the game.
Overall a fun game, but for me the traps in combination with the hefty difficulty and sometimes questionable design choices started to really eat away at my enjoyment of the game. A good game nonetheless, and if you don't mind some design hiccups and a bit of a grind then you'll probably have some fun with this.
Rating: 7.2 72
Difficulty: 85 85
Apr 30, 2019
Wolfiexe
For: I wanna be the Locus
For: I wanna be the Locus
Locus is a fairly old adventure with a heavy emphasis on platforming and traps, complemented with some gimmicks here and there and a couple bosses. It stands the test of time as I ended up having a pretty fun time with it, minus some questionable gotcha moments and pseudo-galaxy brain secret placement.
Each stage focuses on a single gimmick, however simple it may be. Perhaps the most well-known of which is the screen wrapping stage (seen in C1) and the green state-changer stage (seen in K2). They're all fairly interesting, although I felt the traps could often take away from the enjoyment of the save design. My favourite was probably the state-changing stage, although the final stage with angled platforming was pretty interestingly designed.
There are only a couple of bosses, one normal-sorta-end-boss and then the true final boss (or rather, avoidance) if you collect all the secrets and beat the final stage. Both are pretty fun, with the boss making for some fun barrage dodges and fast thinking whereas the avoidance has a couple of learny segments, although it doesn't last too long which is appreciated.
With a secret in each stage, there are a couple that are pretty easy to spot, often having a visual clue to guide the player. A couple however (particularly one in the water stage) I ended up missing and had to look up a video for. You can revisit the stages but you can't leave until you beat it again, so unless you want to replay stages it might be worth giving ol' Fatalbrain a checkup to see where they're hidden.
A fun adventure overall. So long as you're not put off by traps and a couple of sketchy save designs, it'll scratch your classic fangame adventure itch pretty nicely.
[2] Likes
Each stage focuses on a single gimmick, however simple it may be. Perhaps the most well-known of which is the screen wrapping stage (seen in C1) and the green state-changer stage (seen in K2). They're all fairly interesting, although I felt the traps could often take away from the enjoyment of the save design. My favourite was probably the state-changing stage, although the final stage with angled platforming was pretty interestingly designed.
There are only a couple of bosses, one normal-sorta-end-boss and then the true final boss (or rather, avoidance) if you collect all the secrets and beat the final stage. Both are pretty fun, with the boss making for some fun barrage dodges and fast thinking whereas the avoidance has a couple of learny segments, although it doesn't last too long which is appreciated.
With a secret in each stage, there are a couple that are pretty easy to spot, often having a visual clue to guide the player. A couple however (particularly one in the water stage) I ended up missing and had to look up a video for. You can revisit the stages but you can't leave until you beat it again, so unless you want to replay stages it might be worth giving ol' Fatalbrain a checkup to see where they're hidden.
A fun adventure overall. So long as you're not put off by traps and a couple of sketchy save designs, it'll scratch your classic fangame adventure itch pretty nicely.
Rating: 8.6 86
Difficulty: 72 72
Apr 24, 2019
Wolfiexe
For: All I need are things I like
For: All I need are things I like
Consisting of a single avoidance, All I Need are Things I Like is a very flashy game based primarily around pattern, with a few RNG elements sprinkled around to keep for a fun mix.
Lasting around 4:30, it's a fairly lengthy avoidance. This can add a lot of difficulty if the later segments are particularly learny or instagibby, but I found that the most learn-heavy segments were in the first half of the fight, with the ending parts being a bit more simple and first-tryable. This is something I appreciate a lot, and the attack variety felt strong throughout which kept playing it interesting. I also enjoy how the fight makes use of different arenas and uses up the space you have.
I have minor gripes regarding some segments of the fight such as parts of the 2nd verse/chorus, but they're moreso personal distastes than real problems. I particularly enjoyed the infinite jump part in the bridge of the song, so I was hoping that would last a little longer than it did, even with the reprise in the end.
A solid avoidance with very nice visual flair. Definitely worth a play for any avoidance fan. It definitely stands out from a large portion of other pattern avoidances which end up feeling rather jejune™.
Lasting around 4:30, it's a fairly lengthy avoidance. This can add a lot of difficulty if the later segments are particularly learny or instagibby, but I found that the most learn-heavy segments were in the first half of the fight, with the ending parts being a bit more simple and first-tryable. This is something I appreciate a lot, and the attack variety felt strong throughout which kept playing it interesting. I also enjoy how the fight makes use of different arenas and uses up the space you have.
I have minor gripes regarding some segments of the fight such as parts of the 2nd verse/chorus, but they're moreso personal distastes than real problems. I particularly enjoyed the infinite jump part in the bridge of the song, so I was hoping that would last a little longer than it did, even with the reprise in the end.
A solid avoidance with very nice visual flair. Definitely worth a play for any avoidance fan. It definitely stands out from a large portion of other pattern avoidances which end up feeling rather jejune™.
Tagged as: Avoidance
[1] Like
Rating: 8.2 82
Difficulty: 70 70
Apr 24, 2019
Wolfiexe
For: I Wanna Defeat The Robot
For: I Wanna Defeat The Robot
Defeat the Robot is a very well produced game with a heavy focus on fast-paced gameplay and some very intense boss fights, which made it a very fun ride for me. It has some hiccups in design which are certainly questionable, but for me it didn't detract from the overall experience.
The game is split into a series of stages, each with a respective boss to match the stage's theme. As the name suggests, you'll be killing a lot of robots. The platforming is fairly enjoyable with some fun little segments and enemy-based gameplay, although it does have a fair share of weaknesses. Notably, there are saves where upon starting you'll be forced to immediately charge a shot just to kill an enemy by the start, which feels kind of pointless. There's also some sketchy parts in one stage where a visual effect obstructs a save point surrounded by enemies, which can leave you feeling scammed out of victory. The poison blurry visual effect is also a bit much and would be great if there was a toggle or an intensity slider.
Despite these faults, there's still solid platforming to be had. But for me the strength lies with the bosses. Important to note, the vast majority of boss fights (especially the ending few) are very learn heavy. Whilst telegraphing does happen, there is also an abundance of attacks that you'll have to commit to learning after dying. It's not usually my kind of preferred boss, but in this case it was a blast. The fights all flow very nicely once you learn them, and it feels very rewarding to execute everything whilst making use of your dash and stomp mechanics, which both go a long way to making the game feel more fast-paced and engaging.
A special mention goes to the final few bosses. They're substantially more learn-heavy than everything else and pretty tricky too, but for me it was a blast to learn and get consistent at reading their attacks. The final boss in particular has a staggering amount of attacks which makes it even more daunting, but not once did it become unfun for me. Having said that, it's a very divisive style of boss which many people won't find enjoyment with, but for those that do, you're guaranteed a rewarding experience.
My biggest issue in the game for me lies with the hidden stage/boss. To get to the final boss, you're required to find and beat the hidden stage/boss. This stage has some really awkward jumps and segments in it, topped off with a boss that gets kinda silly with some phase 2 attacks in regards to fairness and reactions. I do kind of wish this wasn't required for the normal ending, but it is what it is. I'd probably suggest playing the game without going for the hidden stage, and if you make it to the end and you're invested then go back for it so you can experience the final boss. By then, you'll probably be invested enough.
Overall though, it's a solid game with brilliant production value and very engaging bosses, being dragged down by some questionable design choices here and there. I still had a blast with it though, and would recommend it to any boss lover who doesn't mind a bit of learning and some challenge.
[2] Likes
The game is split into a series of stages, each with a respective boss to match the stage's theme. As the name suggests, you'll be killing a lot of robots. The platforming is fairly enjoyable with some fun little segments and enemy-based gameplay, although it does have a fair share of weaknesses. Notably, there are saves where upon starting you'll be forced to immediately charge a shot just to kill an enemy by the start, which feels kind of pointless. There's also some sketchy parts in one stage where a visual effect obstructs a save point surrounded by enemies, which can leave you feeling scammed out of victory. The poison blurry visual effect is also a bit much and would be great if there was a toggle or an intensity slider.
Despite these faults, there's still solid platforming to be had. But for me the strength lies with the bosses. Important to note, the vast majority of boss fights (especially the ending few) are very learn heavy. Whilst telegraphing does happen, there is also an abundance of attacks that you'll have to commit to learning after dying. It's not usually my kind of preferred boss, but in this case it was a blast. The fights all flow very nicely once you learn them, and it feels very rewarding to execute everything whilst making use of your dash and stomp mechanics, which both go a long way to making the game feel more fast-paced and engaging.
A special mention goes to the final few bosses. They're substantially more learn-heavy than everything else and pretty tricky too, but for me it was a blast to learn and get consistent at reading their attacks. The final boss in particular has a staggering amount of attacks which makes it even more daunting, but not once did it become unfun for me. Having said that, it's a very divisive style of boss which many people won't find enjoyment with, but for those that do, you're guaranteed a rewarding experience.
My biggest issue in the game for me lies with the hidden stage/boss. To get to the final boss, you're required to find and beat the hidden stage/boss. This stage has some really awkward jumps and segments in it, topped off with a boss that gets kinda silly with some phase 2 attacks in regards to fairness and reactions. I do kind of wish this wasn't required for the normal ending, but it is what it is. I'd probably suggest playing the game without going for the hidden stage, and if you make it to the end and you're invested then go back for it so you can experience the final boss. By then, you'll probably be invested enough.
Overall though, it's a solid game with brilliant production value and very engaging bosses, being dragged down by some questionable design choices here and there. I still had a blast with it though, and would recommend it to any boss lover who doesn't mind a bit of learning and some challenge.
Rating: 8.8 88
Difficulty: 75 75
Apr 15, 2019
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| I wanna climb the Witch's Tower | 62.7 | 8.6 | 29 |
| I wanna enjoy the Electrified Butterscotch Dandy | 54.6 | 8.1 | 67 |
| I wanna enjoy the Galvanized Peppermint Dandy | 54.5 | 8.2 | 49 |
| I Wanna Enjoy the Stimulated Strawberry Lollipop Dandy | 58.3 | 8.0 | 36 |
| I wanna Weave Through the Witch's Needle | 66.2 | 8.0 | 30 |
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| Not Another Needle Game | 65.0 | 9.5 |
| I Wanna Uhuhu Spike 2 | 55.0 | 8.4 |
| Not Another Magic Tower Game(共同開発) | 80.0 | 10.0 |
| if(I wanna get the good luck){with(kakki){destroy! kill! genocide!}}柿デスver | 90.0 | 9.5 |
| I Wanna Get Cultured 2 | 70.0 | 9.7 |
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